​Art is the visible evidence
of transformation. 
It is a messy kind of alchemy
a magical transformation of an idea
into a tangible image.
For more about the encaustic medium and the techniques involved: Encaustic Medium
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Summer Studio, open air with frogs and herons for company
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Winter studio, Sylvia the studio cat for company
Here is the source some of my inspiration: Quotes etc
Just the facts...
  • Born on the edge of the Bering Sea. (have lived in Alaska, Connecticut, Illinois, Washington, Massachusetts, & now Pennsylvania)
  • Family: husband, 3 daughters, 3 perfect grandkids, 1 cat, and a pond full of frogs, salamanders and bluegills
  • Home: rural, almost wild, and in places irreverently untamed, surrounded by the Allegheny National Forest, a perfect source of inspiration. 
  • Education: BA in Studio Art: Seattle Pacific College, Seattle, Washington; MA in combined Art History/Studio Art: Vermont College, Montpelier, Vermont 
  • Affiliations: IEA (International Encaustic Artists); EAI (Encaustic Art Institute)
  • Gallery representation: ECCOTA gallery, Ridgway PA; Painted Finch Gallery, Corry PA; ArtWorks on the Summit, Kane PA; Encaustic Art Institute, Santa Fe NM

In addition to my studio work: 
  • Adjunct Instructor, University of Pittsburgh at Bradford
  • Director, artists' co-operative ArtWorks on the Summit
  • Director, Art in the Wilds
  • Community art projects
  • Regional art organizations, committee work
  • Freelance work in graphic, web and book design; workshop presentations
​Encaustic is a medium ideal for the layered approach I take to painting.  Abstract ideas become metaphors in the layered landscapes of the Allegheny mountains where I live and beyond into the many varied regions of this wide wild country.

I have worked in a variety of media, with a focus on a few techniques that have played pivotal roles in the history of art including encaustic, used by ancient Egyptians and Minoans, egg tempera, primarily used in Byzantine and Gothic era painters in Europe; woodcut prints, perfected by Japanese artists in the U-kiyo e tradition; and collage or mixed media which transformed the working process of many modern artists.  My handling of these techniques tends to be a looser interpretation.